Abbas Athar's Description in Unconventional Poetry
The Urdu poetic era of 1960 is distinguished due to revolutionary changes, where many waves of poetical variedness diversify the prospect of Urdu poetry. The movement of '' New Poetry'' demanded the new lexicon and style of writing for its poetic declaration so the destruction of determined traditional standers was presupposed and the ''New Poets'' did it.'' New Poets'' wanted to express their art in a quite new and unconventional way, so they set the example of the unadorned style of writing with their poems. Abbas Athar is a popular poet of new poetic guise, his poetry is a quip against the traditional poetic declaration. His poems demonstrate a special philosophy about humans and society. Man's intricacies, labyrinths, accidents, violence, and exertion for his eternity manifested by him most weirdly. The focus point of his poems is the man & society, where he focused upon man's puzzled and society’s perplexity. In his poems he criticized & sneer on the dogma of society, his poetry is a chirography of unconventional poetic disclosure which exposes the new doors of poetic modification.
Hamid Kashmiri, Dr. Jadeed Urdu Nazm aur Europi Asrat. New Delhi. 2nd Edition. 2010. P 30
Anees Nagi. Nia Shaeri Ufq. Lahore: Jamaliat. 1969. P 116
Saadat Saeed. (Article) Nai Shaeri. Included: Monthly Fanoos (Special Edition). Lahore. March-May 2012. P 238
Abbas Athar. Kaha Saha. Incuded: Awaaz dy Kay Dekh Lo (Kulliyat). P 56
Iftikhar Jalib: (Preface) Din Charhay Darya Charhay (Abbas Athar). Incuded: Awaaz dy Kay Dekh Lo (Kulliyat). P 16
Abbas Athar. Kaha Saha. Incuded: Awaaz dy Kay Dekh Lo (Kulliyat). P 121
Abbas Athar. Din Charhay Darya Charhay. Incuded: Awaaz dy Kay Dekh Lo (Kulliyat). P 24
Ibid. P 80-81
Anees Nagi. Nia Shaeri Ufq. P 113
Abbas Athar. Kaha Saha. P 142-144
Anees Nagi. (Preface) Kaha Saha (Abbas Athar). Incuded: Awaaz dy Kay Dekh Lo (Kulliyat). P 105
Abbas Athar. Kaha Saha. Incuded: Awaaz dy Kay Dekh Lo (Kulliyat). P 170
Anees Nagi. (Preface) Kaha Saha (Abbas Athar). P 108-109
Anees Nagi. Nia Shaeri Ufq. P 134
Ibid. P 135
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