CANTO & ITS EVOLUTION IN URDU LITERATURE
DOI:
https://doi.org/10.56276/mg12zj25Keywords:
Iftikhar Jalib, Hadi Hassan, Jameeluddin Aali, NM Rashid, Jilani Kamran, Jafar Tahir, Canto, GlobalizationAbstract
Poetry of any literature is the mirror of that language in which it is being produced. Urdu literature, under the influence of globalization, have changed so much and adopted many forms and moulds of poetry from modern literature of the western world. Urdu poetry especially in the nearer past, have adopted many new styles, techniques and Genres from the languages of the world. In this article it is discussed that to what extent Urdu literature has adopted the genre of Canto and what are the different ways of exploration and innovation of Urdu poets in this regard. It presents the conteporary situation of Canto alongwith its tradition in Urdu literature.
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References
Khan, Ahsan Ali. Jafar tahir ki Nazm Nigari. Lahore: Punjab University (Thesis MA Urdu). 2006. P 95
Rashid, Noon, Meem. Kulliyate Rashid. Lahore: Mawara. 1991. P 187
Ibid. P 201
Ibid. P 336-37
Ibid. P 249
Jafar Tahir. Haft Kishore. Lahore: Guild Publishing House. 1962. P 1
Ibid. P 15
Ibid. P 27
Ibid. P 32
Ibid. P 53
Ibid. P 66
Ibid. P 78
Ibid. P 93
Ibid. P 113
Ibid. P 128
Khan, Ahsan Ali. Jafar tahir ki Nazm Nigari. P 125
Ibid. P 128
Iftikhar Jalib. Lisani Tashkilat aur Qadeem Banjar. Karachi: Farhang. 2001. P 211
Ibid. P 215
Anees Nagi, Dr. Iftikhar Jalib. Lahore: Hassan Publications. 2006. P 50
Aali, Jamiluddin. Insaan. 2007. P 49
Ibid. P 59
Ibid. P 81
Ibid. P 344
Ibid. P 523
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Copyright (c) 2021 Dr. Irfan Pasha, Dr Manzoor Ahmad, Dr Aasia Rani (Author)
This work is licensed under a Creative Commons Attribution 4.0 International License.
